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About Author Richard F Holmes

I was born in London in 1955 and have lived a very topsy turvey life. I left school at 15 with no qualifications, and had I not left voluntarily, I would have been asked to leave. I always felt that I didn't fit in anywhere, and as a result, by the time I reached the age of 17 I'd had 24 jobs. I joined the army in 1976 hoping that it would give me a purpose in life but instead I became even more disillusioned and turned to alcohol. I hated the army because I found it to be such a hypocritical organisation and as soon as I was eligible to do so, I bought myself out. Whilst in the military however, I did enjoy my experiences in Germany and in 1980 went back there to work, staying for six years. My heavy drinking continued during my time in Germany and by the time I returned to the UK in 1986 I was heading down into a deep depression. I managed to haul myself out of it in the mid-to-late 1990's but my life hit an all time low in 2000. In early 2001 I found my spiritual pathway and started to turn my life around. I now live in Gloucestershire in the UK and I'm a successful medium and healer. I'm also the author of ten spiritual publications and have produced five meditation and three chanting CDs. I'm a workshop facilitator in various spiritual topics and I also give profound interpretations of dreams. There are plans in 2014 for another book, provisionally entitled "An Idiots Guide To Spiritual Law" and a series of audio books in CD form. Connect with me on facebook https://www.facebook.com/authorrichardfholmes

Writer Moyra Irving – The Story Behind “The Extra Guest” Part One


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(The Story behind) The Extra Guest

Part 1

Myrrnah Langton cleared her throat as the call went onto voicemail. ‘I’ll be a little late – just an hour or two, no more.’ She dropped the phone onto the passenger seat, relieved that she wouldn’t have to explain her delay, and gathered her things from the back of the car. ‘This is it, girl,’ she told herself. ‘You’re here. No bottling it now.’

She took a long breath, holding it close as if reluctant to let it go. A sigh followed – an intonation of such bleak resignation that it took her by surprise. No-one had forced her to come after all.

The phone rang the moment she left the car. She glanced back at the passenger seat where it lay and paused, her key ring looped over one finger. If she went back now she might change her mind, drive off without finding what she had come for. In any case she didn’t believe in going back; it was a rule she had lived by for years.

Ignoring the phone she crossed the main street and stopped at a kiosk to buy a local paper. Celebrity Cook Returns to Hartridge, the headline announced. Book-signing today. Close by, a signboard in the shape of an arrow advertised a gallery. She walked briskly in the direction of the arrow, fanning her face with the newspaper. There was still time to get to the book-signing. She could see the gallery ahead of her now, at the end of a row of half-timbered cottages. It was a still day, hot and airless, and she stumbled a little on the cobbles, slowed down by her narrow skirt and high heels. She smiled nervously, aware suddenly that she had broken her own rule. After ten years away she had, at last, returned to Hartridge.

Upstairs the gallery windows were wide open; faded curtains hung undisturbed by any breeze and baskets of parched lobelias drooped in the midday sun. The shop, now under new management, was closed for lunch. There was a card in the window advertising a vacancy for a part-time assistant. Reading it Myrrnah caught her own reflection in the glass; a graceful girl, with well-cut hair and serious eyes; in the heat her cheeks had taken on the colour of ripe apricots.

She searched the display anxiously, eyes darting from one canvas to another, desperate to find there what she had come for. Tiny hedgerows in enormous mounts, scenes of foxhounds and horses and an extravagant painting of lilies in a china pot: nothing. She sighed and loosened her jacket. It really was unbearably hot. Her blouse was damp and sticky on her back.

Undeterred, she shaded her eyes and peered further into the gallery’s dark interior. A girl was reading at the counter, unaware of her presence and nearby, beneath a small spotlight, sat a woman of perhaps sixty-five. She appeared serene and unaffected, a pink cardigan thrown carelessly about her shoulders. Tiny hearts decorated the low scoop of her neckline and at her throat hung a small silver locket, also heart-shaped, which had fallen open to reveal a miniature self-portrait. Although no longer slender, the woman had a contented poise. As though no longer troubled by love, Myrrnah wondered; a compensation for lost youth perhaps.

It was an accomplished painting, almost life-size. She narrowed her eyes. Careful brushstrokes revealed little lines and folds, shadows where the eyes had sunk. But there was also something oddly familiar about her, a sense of having met her somewhere, of some shared experience. And then it struck her: the woman in pink, though so much older, had the same serious eyes and apricot cheeks as her own. This is me, she marveled, in another thirty years, a plumper me with features that have begun to droop and hair that is no longer sleek.

Just then a siren pierced the stillness; with a single stroke it cut the day in half. For someone, somewhere that sound would signal the end of life as they knew it. Just as it had, for her, ten years ago…

They had been standing at the entrance to The Gallery, gazing blankly at the display. ‘Let’s go in,’ Myrrnah said, glancing up at the flat above, where a cloud of smoke escaped from the open window. ‘Lydia’s obviously having trouble with lunch.’

It was New Year’s Day and a small crowd of guests squeezed past them, armed with flowers and bottles of wine.

David Langton was staring into the distance. ‘Myrrnah, I’m leaving.’ Just at that moment a siren sounded and an ambulance turned into the cobbled street, its lights flashing. As it passed Myrrnah placed a hand on her chest, realising that for someone somewhere, things would never be the same again.

‘But you can’t. Philip will expect us.’ Silent now, the siren still echoed in her heart.

David stared down at his shoes. One of the laces, she noticed, had come untied. ‘Myrrnah, I really can’t do this. I’m leaving Hartridge.’

Lupin Mc.Innery had warned her about him from the start. They were unlikely friends, Lupin being twice her age, but she was very wise in her own eccentric way. She read the Tarot and was keen to give advice, especially where love was concerned. Her house was filled with obscure old volumes on dusty shelves, huge lumps of crystal and framed reproductions of Dali and Magritte.

‘He’ll be off, you’ll see,’ Lupin pronounced one day and selected a card from her pack. ‘Death!’ She crowed, waving the card before Myrrnah’s eyes as proof of her judgment. Then, seeing her concern, added: ‘But you will find love.’ She paused mysteriously then began a lengthy discourse on courtly love and the medieval tradition of pursuing the beloved. ‘Remember, never go hunting the hart.’ She tapped her chest softly. ‘Instead of looking for love, first be in love with yourself!’

Myrrnah looked up and noticed a new painting on Lupin’s wall. A white deer with startlingly human eyes stood out from the collection of prints. It was quite old and in a broken frame, its surface cracked, and it looked quite out of place with all the other pictures. It had come from an old aunt, thought to be mad, and passed down through the generations. Although intriguing at first it was not, as it turned out, an easy companion to live with: for there was nothing the White Hart missed, nothing those searching eyes did not see! It seemed, Lupin said, to draw everything to the surface, each secret thought, each hope, each uncomfortable memory. But seeing it, meeting it, there today, Myrrnah felt unusually happy, as though the hart had spotted her and was determined to stick around. She stepped from one side to the other but wherever she turned The Hart went too, following her every movement; and unaware, it seemed, of its own imminent fate. For soon the painting would be gone, stuffed into a box of paperbacks destined for Oxfam, something that Lupin would regret in the years to come. The hart’s image was, in any event, already etched in Myrrnah’s heart.

Outside the gallery she watched the back of David’s head as he walked away then turned mutely and went inside. At the back of the gallery a scruffy young man in enormous boots was cutting mounts. Hearing her enter he looked up from his work and smiled broadly. For a moment she stood perfectly still, caught in the searchlight of that extraordinary smile. He had rather golden skin, suggesting that he had caught the sun even though it was winter, and spiky blond hair that was black at the crown. As he returned to his work a pretty girl with cropped hair burst in through the door and, with a brief wave to Myrrnah, threw her arms around the boy.

‘Sal!’ The boy’s face lit up again.

Sally’s boyfriend has the face of an angel, Myrrnah thought, climbing the stairs to the flat above. She paused on the landing and watched the young friends in the gallery below. They were clearly untroubled by love.

‘So who’s the woman with the serious face?’ the angel murmured.

‘Oh that’s only Myrrnah,’ the girl replied. ‘Uncle Dave’s missus.’

The guests had assembled in a low-ceilinged room where Philip’s paintings filled the walls: bold abstracts and some loving but unflattering studies of his wife in handsome frames.

‘So where’s that twin brother of mine then?’ Philip greeted Myrrnah with a glass of wine in his hand. He wore a paint-spattered tee-shirt, his hair tied back in a rubber band. ‘Don’t tell me, too busy to come? Just as well – Lydia’s ruined lunch.’ He looked Myrrnah up and down appreciatively and she ruffled his hair, thinking how he couldn’t look less like his brother David with that ridiculous pony tail.

She glanced around the room at the others, feeling out of place. All those arty people: painters, sculptors, and a few musicians who had travelled up from London, strangers mostly, and she with nothing to say. She began to wish she hadn’t come.

‘Now, you’ll remember Matthew and Vanessa?’ said Philip. The couple nearby gave a little wave. ‘And you must meet Richard Austen; he’s our new framer, an old school friend of Sal’s. Not a bad painter either.’ He pointed to a self-portrait that Myrrnah recognised at once as the scruffy angel downstairs. ‘Sal should be back by now; I’ll give them a shout.’ He opened the door and yelled down the stairs. ‘Richard! Sally! Come and join us.’

Just then a flustered Lydia appeared, hurriedly pushing past her guests to reach them. ‘Oh, this wretched oven – thank God you’re here!’ She offered Myrrnah her cheek. ‘At least you’ll know what to do.’

She butted open the kitchen door and the two women disappeared together into a cloud of smoke.

Myrrnah peered into the fridge and pulled out a jar of olives. Used pans, some of them ruined, filled the sink. Every surface was littered with recipe books and abandoned attempts to interpret them; carelessly opened packages spilled their contents onto the tiled floor. It was chaos but at least in here she was safe, wouldn’t have to worry about David or offer opinions about paintings she didn’t understand. Here she was in her element.

‘Right, Lydia. Shall we start again?’ She opened a cupboard in search of inspiration and took down an expensive-looking bottle of vintage olive oil. She had given it to Lydia last year but it had never been opened. ‘By the way, David’s left me.’

Lydia stared blankly. ‘What! I don’t believe it – I’m sure he’ll be back.’

Strange, they’d never married, David and her, though they’d shared a house, a bed and even, by coincidence, the same name for years. Myrrnah of all people: capable, kind and with looks to die for! ‘He’ll be back,’ she said again.

‘Nope,’ Myrrnah snapped, tipping burned potatoes into the bin. ‘Some things can’t be saved. Now just leave me to it, Lydia, and talk to your guests.’

Lydia hovered then obeyed.

‘Give me twenty minutes,’ Myrrnah called after her, ‘and I’ll rustle up something they won’t forget.’ Growing up in a small seaside hotel, she had always loved to cook. It was what she did best and she had discovered very early in life that whatever the crisis, cooking was always the answer. For some reason, the more stress, the better the dish; so today, lunch promised to be exceptionally good.

She surveyed the mess in the kitchen and began to clear a space. Inside however, the confusion was harder to clear. Things hadn’t been right for a while. Was it the stress of his job, she wondered, or another woman? Whatever the reason she knew he’d already left her months ago in a way.

A little later she reappeared with a huge bowl of pasta a la romana. A tray of little side dishes followed – olives, mozzarella, artichokes – and a bright insalata mista, all glistening with oil and lemon.

‘A masterpiece!’ cried Philip, admiring the perfect blend of colours. ‘Richard! Be an angel, will you?’ He passed a camera to the scruffy young man who obligingly captured Myrrnah’s impromptu creation.

Throughout lunch the guests discussed their latest projects: music, sculptures, photography, painting, and the recent exhibition at the Saatchi gallery. Sally and her friend were arguing good-naturedly about whether a messy bed or a pickled sheep could really be called art while Myrrnah sat quietly, wondering if soon she might soon slip away unnoticed.

‘But Rich, Hirst and Emin are so brave and original,’ pronounced Sally, ‘true reflectors of our time.’

The scruffy angel frowned. ‘Ah, but do they actually inspire?’ He turned his attention to Myrrnah. ‘It’s important, don’t you think – to inspire and not simply reflect? Whose work inspires you?’

They were all so intense. She had always gone for posters in wooden frames, colourful things from Ikea that brightened the room. Not their kind of thing at all.

What the hell am I doing here, she wondered, on New Year’s Day with my ex’s family and a bunch of people I hardly know? She glanced across at David’s empty chair where someone had draped a jacket.

‘I’m no artist,’ she began apologetically, avoiding the young man’s searchlight smile.

‘But clearly you are,’ Sally protested. ‘A culinary artist. People would pay a fortune for food like this. You should open a restaurant. Something different, with a twist.’

Richard nodded. ‘You could be the next Delia.’

Hearing them Lydia and Phil joined in. ‘Or Clarissa Dickson-Thingy.’ They all laughed, remembering the ‘Two Fat Ladies’ on the television.

‘A full English breakfast is the best cure for hangovers. The liver embraces it,’ mimicked Phil in a plummy voice. ‘I loved their style.

Myrrnah excused herself quickly and went into the kitchen to make coffee. Lunch over, it would soon, thank God, be time to leave.

‘A Happy New Year to everyone!’ Lydia sang as Myrrnah returned with the tray of coffee. She passed round dishes of Christmas cake and burned mince pies.

‘May it be unforgettable,’ said Philip, rather ambiguously Myrrnah thought, for certainly it had begun that way. Then he clapped his hands for silence and proposed a toast:

‘To the lovely Myrrnah: for saving the day.’

‘To Myrrnah,’ they all echoed, sipping wine.

Next he raised his glass to David’s empty chair. ‘Absent friends!’ He slurred drunkenly, spilling his wine as Lydia nudged him sharply. The moment passed and the talking continued.

Philip began flirting with a girl little older than his daughter but Lydia didn’t seem to mind. Occasionally he would glance back at his wife and smile as if to remind him self – and her – how lucky they were. They are close, Myrrnah thought wistfully; too close for petty jealousies. Openly affectionate, they would taunt each other mercilessly at times. But it was safe to do so. Myrrnah watched them now, envying their honesty and ease. But it had not been so with David. Together, they were awkward, their dealings polite and cautious. They spoke only of things they observed – the need for a new piece of guttering or the state of the garden since the last storm – but never things that were felt. That was no longer safe to do, it seemed.

Someone put some music on the hi-fi and one or two, tired of chatting, got up to dance. Myrrnah went to fetch her coat, her handbag slung over her arm. ‘You can’t go yet!’ Philip and Lydia chorused. ‘We need a group photo first.’

The scruffy angel took up the camera once more.

‘Do count me out,’ Myrrnah pleaded but he feigned not to hear. Then, as everyone gathered round and smiled for the camera, she jumped.

There in David’s seat, for an almost imperceptible moment, sat a small child. He seemed as surprised as she was to find himself in such unfamiliar company. But meeting her gaze he smiled – such a look of love it was – and held out an empty bowl. His eyes were familiar, not unlike the white hart’s. ‘So will you help?’ he whispered and instinctively she bowed her head, having the feeling there was something extraordinary she’d just agreed to do. At once the bowl began to fill with golden coins.

The camera was passed from person to person. ‘Damn, I blinked at the wrong time,’ said one. ‘I look drunk,’ said another. ‘But look,’ Lydia laughed. A spiral of white light hovered over David’s empty chair. ‘We have an extra guest.’

As she left, the angel touched Myrrnah’s arm in passing. ‘Did you see him then, the extra guest?’

She returned home to find that David had emptied his wardrobe. His car had gone too but the house keys were still on the kitchen table alongside a note (which turned out to be a check list of things to pack) and an empty coffee mug that he hadn’t bothered to wash before leaving. Still wearing her coat she sat down, unaccountably happy, and stared at the empty chair opposite her. The boy with the bowl still hovered in her mind.

The house had never felt so peaceful.

For more information on the wonderful “Extra Guest” charity please click on the link below:

http:theextraguest.com

Showcasing Writer Moyra Irving


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Today I am welcoming Writer Moyra Irving to my blog.  Before we have our chat here is a little bit about her.
Moyra is a storyteller and artist who has been involved in healing and spiritual growth work for over 30 years. The foundation of all her work, both artistic and practical, is ‘Soul-centred living’ and the recognition that we are all divine. Her stories are modern-day parables, all based on one theme: Coming Home to Your Self.
Through personal retreat she has created two sets of Guidance Cards, ‘Take Me to the Mountain’ and ‘Fiery Love,’ and six meditation and healing CDs for those wishing to retreat while living and working in the world. Storytelling provided the inspiration behind her charity The Extra Guest (Food for All), an end-hunger charity that supports food-aid and sustainable living projects around the world. Please contact Moyra on Facebook https://www.facebook.com/moyra.irving  or visit http://www.theextraguest.com/
Thanks for coming all the way down from Stoke-On-Trent Moyra for tea, twiglets and witty banter…  So, what actually made you start writing; was it some kind of inner pull?
My pleasure Richard.  Well, I love reading and I suppose I’ve always been a day-dreamer so ideas for stories come easily. I enjoyed English at school, especially learning about the structure of language. Some people have a natural ‘feel’ for language and write flawlessly without ever having to think whether something sounds right or not. However, for most of us I think it helps to know the basic rules of one’s own language whether writing factually or exercising the imagination. The two go hand in hand for me. Once the ‘rules’ of writing are mastered they can be put aside or skilfully ignored in order to create an effect. Some people think that grammar and spellings don’t matter – but imagine a composer attempting to create a symphony without any knowledge of music or an artist with no knowledge of colour or perspective or basic drawing skills.  With the right tools at our disposal we can eventually go beyond them and allow our imagination full rein. Perhaps only then we begin to create something worth reading.  Oh dear, are you still there? I think I went off on one for a while
I haven’t gone anywhere Moyra, I’m hanging on to your every word!  It seems to me that ‘The Extra Guest’ has a hint of autobiography in there, is this true?
Ah yes, the story. Thanks for bringing me back! It’s actually based on a novel I began in 1995. The ‘Extra Guest’ excerpt came to me while I was enjoying a bath. Most ideas come to me then – and often while I’m driving, walking in the countryside or, best of all, sitting on a train. Although Myrrnah, the character in the story, is very loosely based on me, she has actually directed the current phase of my life (and not the other way round). It was because of her that I decided to set up a charity similar to her own.
Tell us about your other projects, including The Extra Guest charity?
Other projects?  How much time have you got, Richard? I’m slowly completing a novel, ‘Hunting the Hart,’ which weaves together my interest in art, spirituality and human love, I’m working on two non-fiction pieces too: ‘Take Me to the Mountain’ and ‘Fiery Love.’
Two years ago, with the support of a group of friends, I set up ‘The Extra Guest’ charity: www.theextraguestcom  In recognition of the ‘extra guest’ at our table – that is to say, anyone who has little or no access to food – we promote the practice of ‘ethical dining.’ We work with restaurants that are willing to support our cause and diners are encouraged to make a donation at the end of their meal.  All donations go directly to fund food-aid and sustainable living projects around the world and we can proudly claim that nothing whatsoever is lost in administration. People are quite suspicious of charities these days and so we feel it’s important to reassure them that their money (100% of it) goes directly to those most in need. We all work as volunteers, covering overheads ourselves, and in less than two years we have raised over £20,000.
I’m also a healer and counsellor and eight years ago I set up (together with a small group of friends) The Centre for Spiritual Growth and Healing in Newcastle-under-Lyme, Staffordshire. As part of this initiative we offer a monthly Free Complementary Healing Clinic for the local community. We run entirely on donations and provide a ‘heart centre’ where people can come for inspiration, spiritual companionship and healing.
You are also an artist, I understand?  Tell us something about this aspect of your work?
321 256 028 081Yes, I almost went to Art School at sixteen to study graphic design but ended up staying at school to finish my A levels in Modern Languages instead. In my first few years as a teacher I taught both art and languages.
Although I always loved to draw as a child – Life Drawing and Portraiture in particular – I am now inclined to more esoteric, abstract work. As a student in Paris I loved  the French Impressionists’ ability to paint ‘light’ and I think this may have influenced my work, although in a more abstract way.
What are you working on at the moment?
In my head, quite a few themes. However, time doesn’t allow me to paint and write so for the moment writing is my focus.
OK, I am an alien, I’ve just landed on Earth, and you are the first earthling I meet.  What’s my first impression?
That’s for you to decide, Richard! (Hmm … do I really want to know your first impression of me?) Actually, I’ve always felt like an alien myself, especially when younger, and my attempts to ‘fit in’ had varying success. Fortunately, the older one gets the easier it is to be oneself. I’m a very friendly alien anyway – like the Space Brothers, just ‘here to help’! (With apologies to Gerard Aartsen, author of a book by the same name).
What was the first record you ever bought?
Bill Haley’s ‘Rock Around the Clock.’ I was very young so can perhaps be forgiven! My taste has changed a lot since those pre-teen days. (Surprised you owned up to that one Moyra! Ed.)
Who is your favourite band and have you ever seen them in concert?
What a difficult question. There are so many – but I definitely can’t leave out The Who. I never tire of hearing them but didn’t get to see them live. However, I did see the Beatles and the Stones (both in Paris during my student days) and later, Leonard Cohen and Eric Clapton whose earlier stuff I like very much. I don’t have a current favourite but enjoy rock music, though not exclusively. Off the top of my head I’d include: The White Stripes, Guns n’ Roses, Florence and the Machine, and Calvin Harris. Please don’t ask me if I like James Blunt or I may have to be rude … (Some great bands there Moyra… and my lips are sealed with regard to James Blunt! Ed.)
What is your claim to fame?
I make no claim to fame – infamy perhaps but not fame. I suppose the sort of answer you might be interested in would be this: Mick Jagger was one of a group of friends and he did my Maths homework for me. He is a few years older than me (we girls weren’t interested in boys of our own age). He used to play tapes of his own music at parties and we’d all shout, ‘Take that rubbish off, Jagger!’ Two years later he was on the radio with a hit single ‘Route 66.’  For some unknown reason he decided to send me his Rugby football shirt for my birthday one year. He was, as you can imagine, very narcissistic, very sure of himself. And I, (very young, very innocent), tried desperately not to feel flattered and therefore sent it back, pretending to be piqued. It was maroon and gold and had his name stitched inside. Shame, it probably would have fitted me perfectly.  Had I only known then – I could have auctioned it and would be a rich woman today.  (Wow!  Sir Mick Rubber Lips himself!  Presumably it was his mum who sewed his name into his rugger shirt so he wouldn’t lose it? Ed.)
And finally… one more question.  As the world holds its breath… Marmite?  Love it or hate it Moyra?
Marmite – definitely a reason to hold one’s breath! Love it,  but don’t indulge.
Marmite lovers are always welcome on my blog Moyra!  Thanks once again for coming and all that remains is for me to inform the readers that on Tuesday and Wednesday of this week I will be featuring Parts One and Two of The Extra Guest Story.

Showcasing loveahappyending.com Author – Ali Bacon


BOKAYASHA!  Dis is Dave from da Staines Massive innit, and today me is gonna welcome me mate Ali … Oh hang on a minute, I got dis wrong innit, me thought it was me mate Ali G, but never mind…please big it up for me other mate Ali B…

Yo!!!  Ali B is in da house…

A Kettle of Fish by Ali Bacon – or will she won’t she?

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Ali Bacon was brought up in Fife (that’s the bit of Scotland that sticks out above Edinburgh) and went to St. Andrews University but somehow ended up 400 miles south in Bristol (marriage may have had something to do with it!) There she worked in libraries of all shapes and sizes until she fell victim to the writing bug which has proved harder to shift than the Noro-Virus but also a lot more fun. She now devotes herself to reading, writing and reviewing at http://alibacon.com although she is known to stray from her desk, ahem, occasionally, for a round of golf or a little bit of singing and dancing.

In the last few years her stories and articles started to get some attention and now she has achieved her ambition of having a novel published. A Kettle of Fish is a coming-of-age story set in Scotland. Described as ‘harsh, gritty, yet lyrical’ it was published on Kindle by Thornberry Publishing in October. It’s accumulating some rather good reviews, and now, by popular demand, there’s a paperback edition too.

The novel is about Ailsa, a girl whose life plan suffers an annoying interruption and as a result she finds herself on a date with the local fishmonger, a date that starts at 5 am! After such an early start, will Ailsa see Ian again? Here’s an excerpt that might give you some (but not too many!) clues.

Chapter 4 – Pittenweem

I set off back down the hill, and as I lurched into a half-run down the cobbles, the mist dissolved and the scene moved from insipid greyscale to a full colour display. I was like Dorothy waking up in the land of Oz. Sun bounced off the crowded quay and made rainbows in puddles of water and petrol. Everywhere was frantic with the call of birds and the shouts of stallholders. Everywhere slippery with fish.

I was relieved to find Ian in the crowd and he seemed pleased enough to see me. He took me round the stalls without embarrassment, showing me the catch: haddock, cod, whiting. The prices were falling, the best stuff had already gone. Incredibly, I’d got used to the smell.

“Come on then,” he said. “I’m clamouring for a cup.”

We walked along the harbour and passed two cafés before he stopped at a third. It was busy, and someone nodded to him, but I guessed this wasn’t his usual haunt. He wouldn’t go there with a girl. At the counter he ordered bacon and eggs and a bacon roll for me. In the melamine cubicle that smelled of floor-polish and stewed tea, I was struck by his bright-eyed cleanliness. His hair was soft and floppy. He must have showered before he left.

“What do you think then?” he asked, mopping up egg yolk with a crust of toast. I probably looked blank and so he carried on. “Better than sitting in an office all day, if you ask me.”

I was impressed by his energy. Anyone I knew who wasn’t going to uni was looking for a cushy billet in a bank or a call-centre and enough money to get rat-arsed at weekends.

“You wouldn’t have to get up so early,” I said.

“It’s not every day. Dad and me take it in turns.”

A shop’s less boring if it’s your own, and Ian and his dad were their own supply-chain, in thrall to the weather, the sea, and maybe the EU, but still knowing where the fish came from, making their own deliveries.

I looked at my watch, feeling Ian’s eyes on me.

“How’s your mother?” he asked.

This was what people asked me. Not “What music do you like?” or “Do you fancy a shag?” but “How’s your mother?” I imagined the scene in the front room chez Mackay: “You know her mother’s not well. Never has been, since her man left.” The not well would have been said with a look, implying possible mental problems, but that’s as far as it would have gone. His question to me was genuine enough.

“Not too bad,” I replied. “She’s up and down.”

“Do you have to look after her?”

“Sometimes. Usually she’s okay.”

“But you’re going to uni.”

“Yeah, can’t wait.”

Ian took this in. He was looking at me pretty full on and I was struck again by his mouth. The word “sensuous” crossed my mind but was quickly followed by “lascivious”, and lascivious for some reason the one that stayed.

“So,” he said, “what pictures do you like?”

At least we’d got past the mother question. I shrugged. “I don’t go much.”

“Come on, what did you see last?”

I mentioned a chick flick I saw with Faye, probably what he expected. “What about you?”

He named a sci-fi sequel. “We could go to something, if you like. You could choose.”

Before I could answer, he went to the counter and paid the bill.

EMBEDDED-COVER-THUMB 

 

 

 

 A Kettle of Fish is a rollercoaster family drama set in Scotland and published by Thornberry Publishing

Buy it from
Amazon UK (Kindle and paperback) http://www.amazon.co.uk/A-Kettle-of-Fish-ebook/dp/B009M7FWKK/ref=sr_1_1?s=books&ie=UTF8&qid=1353415828&sr=1-1

Amazon USA (Kindle only) http://www.amazon.com/A-Kettle-of-Fish-ebook/dp/B009M7FWKK/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1350203703&sr=1-1&keywords=kettle+of+fish

Facebook page: http://www.facebook.com/AKettleOfFish

Website and blog: http://alibacon.com

Featured author page http://loveahappyending.com/ali-bacon/

Beckham Ate My Goldfish


spider-monkey_719_600x450Hi, how are you?  Greetings from The Ministry Of Sensational Headlines!  Just thought I would check in with you.  Well, we have got just over two weeks to go before the world blows up.  Ok, ok I know, we had this conversation before, and yes, I’m only teasing.  The world is not going to blow up at all on 21 December; it will simply melt…

I just thought I would give you an update as to how the shift has been affecting me.  It’s been very strange indeed to be honest.  I’m still getting extreme bouts of exhaustion, but annoyingly, I seem to get lulled into a false sense of security from time to time.  Then, just when it seems I’ve turned the corner, wham!  I find that I have no energy again and can barely even talk.  Another thing is that all kinds of demons (and I use that term figuratively) keep on surfacing and I find myself experiencing emotional stuff that simply shouldn’t be there any more; self-doubt, for example.  Thankfully, I know that I am not alone.  People all over the planet who are going through a spiritual awakening are experiencing something similar.  Yes, I suppose it wouldn’t be a proper shift if it didn’t have a cleansing effect and bring all the dark “stuff” up to the surface from the depths of our inner ocean.

Well, that’s about it for now.  I know; boring, you are thinking, and not really much of a round robin at all.  Well that serves you right for expecting something sensational.  You’ll be telling me next that the world will end on 21 December.

Oh, before I go, just another couple of things.  Next week I will be interviewing for a bunker-mate.  Yes, you heard correctly; not a room-mate or flat-mate, but a bunker-mate.  There just happens to be a vacant space in my bunker.  I have also got some spare tin helmets for sale going cheep; yes that’s right, they are going cheep, not cheap; each one comes with its own budgie.

Anyone interested in the above should apply via the contact form below.

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Thank you for your response. ✨

The Nancy Wait Interview


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Today I welcome back to my blog actress, artist, author and radio host Nancy Wait.  Nancy kindly agreed to an interview… and here it is!

Hi Nancy and thanks so much for whizzing in from New York to join us.

Haha! Thank you so much for inviting me to share. I really appreciate it.

So, Nancy, I know that you are actually a former actress, but I’ve never had a real live actress on my blog before so I hope you don’t mind me listing you as such here.

Not at all. In fact my short-lived acting career in the UK is still my only claim to fame thus far.

I have to ask you Nancy, actress or drama queen?

Actress, please! In fact I was very serious about my career until I discovered that others did not take me seriously. That was my fault of course. I can be so dense at times! I thought that others would see me as I saw myself inside, but of course a lot of people just look at your exterior—especially in the performing arts. When I was young my interior and exterior were at odds. It made me feel I was born into the wrong body! I bet I’m not alone in that feeling either. But as I’ve gotten older it’s all come out in the wash as they say. And I’m certainly more conscious of what I project. (I hope so!)

Initially, I was ultra serious about “the art of acting.”  I was sent to acting school as a  child because I was what was called “painfully shy,” never speaking up in class, and the teachers complained to my parents. My father had been an actor at one time, and he had a great love for the theatre, so off I went to Saturday morning classes to learn how to pretend to be an extrovert. Very good training it was, too!

They say that underneath every introvert is an extrovert. Perhaps not someone as flamboyant as I turned out to be, but there all the same. I continued to study at a special high school in Manhattan, then at Carnegie-Mellon’s excellent drama department—but I was never what you would call a drama queen. I think being one of five children gave me the need to be recognized and set apart from the crowd, so to speak. But I wouldn’t call myself a drama queen, as that conjures up an image of someone filled with a sense of their own importance—and that was quite the opposite of yours truly! The confidence it took to go out on stage or in front of the cameras was just as much of an act as the part I was playing.

I know that you lived in London during the 1970’s and you were also involved in the British film industry…. So would we have seen, circa 1976, a scantily clad Nancy running from the clutches of a lecherous Syd James in Carry On Camping?

I don’t think so! Though I did do something of a similar nature, Au-Pair Girls, directed by Val Guest in 1972. My professional name was Nancie Wait, as an astrologer told me it would bring me more luck. Though whether it was good luck or bad is a debatable!

Ahhhh never mind, so what brought you to London?

Such a long story! It goes back to when I was a child in New York and my mother was in her “English” period. I have English ancestry from Yorkshire, and she began with buying Yorkshire antiques and cooking English food, then reading Wuthering Heights aloud to us. Then along came the “Swinging Sixties” and the Beatles and so on, and because I was studying acting at the time and going to Broadway plays—many of which were English—a dream was born to study at Rada. We had no money of course, but I met and fell in love with a boy at college who had the same dream I did, and he brought me to London with him.

It’s actually a bit more complicated than that, having a great deal to do with my eagerness to leave home as well as live in another country, and I tell the whole sad story of that in my book, The Nancy Who Drew.

Were you a diva?  Did you demand salami on rye to be flown into Shepperton Studios from your favourite deli in Manhattan?

Honestly, Richard, I think you’ve seen too many movies! I was a working stiff like most actors were and are. It’s funny really, because when I was dreaming up my life as a young teen, I decided on acting as I was hungry for “glamour.” And then what a shock to find the profession was 95% hard work like anything else.

The only time I ever worked at Shepperton was when I was hired as an extra for The Great Gatsby. It was Myrtle’s party. The film with Robert Redford and Mia Farrow.  And what a treat it was being put in Redford’s dressing room the week before he arrived. I had to share it with two other actresses, but still—what a luxurious dressing room compared to what I was normally used to!

Believe it or not I was in a theatre company once and I’ve performed Shakespeare (didn’t understand it though); have you ever trodden the boards?  If so what was your favourite production?

My best performance and favourite production was actually a play I did while still at Rada. A Streetcar Named Desire. I played Blanche. Opportunities in the professional world—at least for an American in London—were few and far between. But I did an American play at the Traverse up in Edinburgh, and then The Country Wife at Oxford, which we took on tour. I played the Cockney maid (Cor blimey guv’nor Ed.) —and didn’t do too badly with the accent I’m told—haha!

I was actually getting called for more auditions at rep companies when I decided to chuck it all in and come back to America. I loved acting at one time, but I found “the life” didn’t agree with me. That can happen, you know.

What made you get into writing?

My father was a writer and I had a love for books. I put writers up on a pedestal. But though I wrote long letters to friends and family, I had no confidence that I could write stories myself. After I gave up acting I took a class here in New York, and the instructor used me as an example of what not to do! Looking back, it’s so clear to me that I wasn’t able to express myself on the page because I had so very little knowledge of who I was in those days. I was aware of my inner life, but I had no confidence in my ability to reveal it to anyone else. I found later that good writing depended so much upon that over-used expression—high self-esteem. You have to think well of yourself and believe that what you have to say is interesting, otherwise you’ll never stick with it. So I let go of the idea of becoming a writer—and took up art instead.

I had done art as a child, so I was really going back to my first love.  And I was lucky to be able to make a career of it doing portraits of people and then portraits of buildings for the real estate industry. But the real benefit turned out to be the paintings I did from my imagination. Because that was the way I was able to connect with my inner life and express it. This ability to show who I was inside, how I felt, how I saw my experience, gave me a direct line to my subconscious, my intuition, and it was the way I made a visible connection to my soul life. Then, after nine years of painting, I received an inner message that I had to write about my experience as a painter. I was directed by my guides to now put words to the pictures. Give voice to the images that sprang from this deep level within. It was a tall order!

Can you tell us something about your book The Nancy Who Drew?

Well, I’ll tell you this—it took fourteen years to finally get it out there. I spent five of those years going back to college and then grad school to learn how to write. Then another five years revising it and finishing it on my own. Then some time passed looking for an agent and a publisher. Then more revising. But two things were going on in my life at that time. One was that I was raising a son with Asperger’s. He had a mild case, but it was still something to deal with. The other issue was my indecisiveness whether or not to include the idea of reincarnation as the backbone of the challenges I had faced as a young person. I put it in and took it out several times. I patched it onto the beginning and the ending, but found it didn’t really work. The problem was that I was being totally honest in relating the events of my life, and here was this idea of reincarnation I didn’t have any tangible proof for. I felt it was true, but I didn’t want to make assumptions I couldn’t prove.

So I had to get over that. I had to trust myself and believe in myself and my perception—in the clues I’d been given, the knowledge that had come my way—and just go for it. Finally, when my son left for college and I had the space in my head to do it, I just sat down and said this is it! This is my story and I’m going to tell it like it is—and to heck with asking an agent or a publisher for approval. So I self-published last year, 2011. What a relief to finally finish and get it out there!

What writing projects do you have planned for the future?

Well, I ended the story in 1977, when I came back to the States. I had been gone for seven years. My next book is the sequel, telling the story of how and why I became a painter and the tremendous change it wrought in my life. I’m in the process now of making revisions, and I plan to bring it out next year sometime.

Do you want to tell us something about your work as an artist?

Sure. One thing a memoirist doesn’t lack is the eagerness to talk about herself! I studied drawing because I wanted to draw and paint realism. It enabled me to earn my living as a free-lance artist in the 1980s—before scanners and digital cameras and Photoshop became ubiquitous—because there was a market then for architectural renderings, or building portraits as I called them. I also did a fair number of portraits of people. I’ve had some gallery shows of my other work from time to time, but they never really took off or connected with people, which is one of the reasons I feel impelled to write about them. It’s a series actually, called Journey to the Deep. Then a while back I was one of the founders of a group of artists here in Brooklyn called Brooklyn Visions, and we had many group shows. But the most pleasure I got out of it was the series of interviews I did of nine of the artists which we then published in pamphlet form. See how I tend to want to combine writing and art?

I mostly stopped painting after I got into writing, except for a series I did called Little Man. But that was a narrative too. I created a story around him and posted the video on you tube. http://www.youtube.com/watch?v=6udkw0odOY4

I find I’m having a resurgence of the urge to draw though, which is good because how can I continue on with the story of The Nancy Who Drew—with a Nancy who stopped drawing?

I’m going to put you on the spot now Nancy… writing, acting or painting; and why?

You know, everything we’re drawn to do or compelled to do I might say, is for a reason. If it’s creative work, then we have a need to express something. And we must keep searching and exploring, and through trial and error, find out what it is and then do it. Give it all we’ve got. 

When I was growing up I was so frightened of the world. I felt like an alien soul among the savages! I was crippled, in a metaphorical sense, like Laura in The Glass Menagerie. As retiring and shy as a little mouse! Like Isabelle Huppert’s character in that 70s movie, The Lacemaker. So the acting training was the best thing that could have happened—in order for me to become the person I wanted to be—and am today—someone who could host Blog Talk Radio shows for instance. (Opening her now big mouth when the situation calls for it!) But as I mentioned, the acting life was difficult for me, as it is for many sensitive souls—and naive young women I should add! With painting, I was able to not only connect to myself on a deep level, I was able to access an inherent power I didn’t even know I had. Painting can be quite physical when you’re standing at an easel for hours on end. And then there was the power of creation. One of my favourite titles is Rollo May’s book, The Courage to Create.

Writing is different. I can see how beneficial it’s been for me to save it for my later years. Because now I have the opportunity to put it all together, to try and salvage some wisdom from the chaos and confusion I’ve lived through. Writing things down for other eyes forces a kind of clarity we wouldn’t otherwise labour to employ. Which is something I’m sure you have found also, in your work, Richard.

And last but not least, there is this over-powering urge for communication! For sharing. For saying to people, can you relate? Do you see what I mean? Has this ever happened to you? And so on. Because we know how it is that often we don’t know what we’re even thinking or feeling until we witness someone else thinking or feeling that very same thing. And so it brings us together. We identify. And we know we’re not alone. Someone else has been there too. And the very act of writing our own stories, painting our own pictures, makes us more whole.

Well all that remains is for me to thank author, actress and artist Nancy Wait once again for joining me on my blog today.  Before you go Nancy I just want to ask you one more thing.  You are obviously a very inspirational and creative person, so do you think you could delve into the vastness of your inner being and leave us with some words of wisdom?  Thanks again and do come back soon…

The “vastness of my inner being!” Oh, you do have a way with words, don’t you Richard. Well, I’ll tell you what comes right away to mind—because I’m also a writing coach, is the importance of self-revelation through any creative means. It doesn’t get any better than Socrates phrase, Know Thyself. We are all of us composed of a vastness of riches that lies in wait, as soon as we’re ready and willing to tap into it. The new world we’re entering into is one of Conscious Creation. Whatever artistic field we go into will sharpen our senses and give us a fuller sense of life and who we are in it. Music teaches us to hear. Art teaches us to see. Writing calls on us to observe and describe what we see and feel. Acting calls on us to walk in another character’s shoes, to be them for a while, and so it teaches us compassion. And the Dance! I don’t want to leave out dancing. None of us should want that. Whether we dance with sorrow or joy, or have to sit in a chair and only dance with our eyes, we mustn’t forget the dance of life and love and everything in between—and keep on keeping on! Thank you so much Richard. It’s been a pleasure!

You can find out more about Nancy’s work by clicking on the links below; and why not follow her on twitter?

Showcasing Author, Artist And Actress Nancy Wait


On Tuesday and Wednesday 4 and 5 December I am featuring the very unique and inspirational author, artist, actress and radio host Nancy Wait on my blog.  Nancy is a very interesting lady and I’m sure you will enjoy reading about her…

Bio

Nancy 2012Nancy Wait was born in Chicago and grew up in New York City. She studied acting at the High School of Performing Arts and Carnegie-Mellon in Pittsburgh. In 1969 she went to London to study at RADA and had a career in England during the 1970s, appearing in film, television and theatre, under the name Nancie Wait. After a spiritual awakening in 1976, she returned to New York and began a second career as a free-lance artist of architectural renderings and portraits. She also painted a series from her imagination, and it was after these she felt impelled to write about her life. Nancy lives in Brooklyn, NY and is currently working on a second memoir about how and why she got into painting and the massive changes it wrought in her life during the 1980s. She is also a Writing Coach and Editor, and has been a host on Blog Talk Radio for many years.

A Synopsis of Nancy’s Book The Nancy Who Drew

Who hasn’t wondered why bad things happen to them? The memoir, “The Nancy Who Drew,” plants a seed of hope that our painful experiences can have a positive outcome when we are willing to see ourselves on more than one level. It is subtitled “The Memoir That Solved A Mystery,” because when Nancy delved deeper into the events that occurred, she discovered several clues that would completely alter her perception of why things happened the way that they did.

The Nancy Who Drew is an inspiring memoir that tells the story of a shy, dreamy girl growing up in New York City in the 50s and 60s. After being cruelly betrayed by her mother, she flees to London to realize her dream of studying at RADA and becoming an actress in England. Upon her return home seven years later, disillusioned with acting and eager to start a new life as a painter, her mother confesses that she conceived Nancy “in revenge for World War II.” Strangely, this resonates with her, as if she has known it all along.

She becomes an artist, exploring her subconscious through drawing and painting. But it isn’t until decades later when she begins to write her story down that she discovers a deeper meaning of the images that have come to her intuitively through painting. When she puts it all together, including childhood drawings of a dead girl and dreams of death, she comes to a new understanding of why she might have “created her reality.” By sifting through the clues in her own life, Nancy learns about a girl who was killed by the Nazis exactly six years and six months before the day before she was born. Is this the girl who haunted her dreams in childhood? Is this the girl on her canvas? If it is, then her own life begins to make sense now. Sometimes the only way to make sense of your life is to remember the one that came before.

Nancy rises from painful experience to become her soul’s intention. Finally, when she connects to a previous death, she comes to know that betrayal is sacred when the heart can encompass the whole.

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Check Nancy out online; connect with her on facebook and follow her on twitter.
Coming tomorrow… The Nancy Wait interview.

Showcasing The Wonderful RomCom Author – Sheryl Browne


Sheryl PhotoIt gives me great pleasure to showcase friend and wonderful RomCom Author, Sheryl Browne on my blog today.

Sheryl Browne grew up in Birmingham, UK, where she studied Art & Design. She wears many hats: a partner in her own business, a mother, and a foster parent to disabled dogs. Sheryl has been writing for many years, the road along the way often bumpy.  She was therefore thrilled beyond words when Safkhet Publishing loved her writing enough to commission her to write for them.

Sheryl’s debut novel, RECIPES FOR DISASTER – combining deliciously different and fun recipes with sexilicious romantic comedy, is garnering some fabulous reviews and has been shortlisted for the Innovation in Romantic Fiction Festival of Romance Award. Sheryl has since been offered a further three-book contract under the Safkhet Publishing Soul imprint. SOMEBODY TO LOVE, a romantic comedy centering around a single father’s search for love and his autistic little boy, launched July 1. WARRANT FOR LOVE, bringing together three couples in a twisting story that resolves perfectly, released August 1 and A LITTLE BIT OF MADNESS releases Valentine’s Day 2013.

Hi Richard!  Thank you so much for hosting me! I’m thrilled to be here on your fabulous blog! Today, I’m sharing the second of eight excerpts from Warrant for Love. I hope you enjoy! Please do leave your comment and (appropriate) suggestions as to what YOU might do if you found yourself in Lee’s situation.

Warrant for Love

Love, blackmail, lies, adultery, entrapment.
Three couples in a twisting story that resolves perfectly.

Life for Paul sounds like your typical country song. He comes from a broken home, his wife is divorcing him, he’s got no place to live, he’s losing custody of his son, and his sergeant, who’s sleeping with his wife, is a loud-mouthed braggart who won’t let up on him – not even at work.

Leanne’s caught her (now) ex cheating on her again, but before she can give him the what-for, she’s wrongfully arrested for soliciting – by Paul and his partner. One thing leads to another and things could be looking up for Paul, except for Leanne’s friends – quarrelling mom Nicky and financial goddess Jade – have it out for her ex.

Leanne wants closure, Paul wants a home, and Nicky and Jade want revenge. Blackmail, lies, adultery, entrapment. Will it all work out in the end or will Paul uphold the law? It sounds like he needs a Warrant for Love.

Excerpt:

Leanne was still reeling as she stood on the street corner, her thighs so cold they resembled freshly plucked turkey. She tried hard not to cry as a patrol car cruised by, and wondered obliquely where Richard had parked his BMW whilst indulging in the kind of sex that left naked footprints on the windscreen.

Ten minutes ticked by and still there was no taxi in sight. She turned back towards the phone box and oh, joyous relief, a car pulled up. The taxi. It must be.

But it wasn’t. It was Richard, taking his life in his hands. ‘Leanne, come back,’ he called through the open passenger window. ‘I’ve said I’m sorry.’

Leanne glared at him, then away.

‘I don’t know how else to say it. Come on, darling. It’s pouring with rain. Get in and I’ll drive you home.’

Get back in there, next to him? On the seat he’d been shagging the trollop with size ten feet in?! Was the man on a suicide mission?

‘Why? Want business, do you?’ She oozed sarcasm.

****

‘Blimey, there’s devotion to duty for you.’ Paul nodded at the hooker on the street corner. ‘She must be desperate, touting for business in sub-zero temperatures.’

‘So must the punter. Bit past her sell-by date, isn’t she?’ Mike observed drolly.

‘Which makes you what, Mike?’ Paul slowed down to get a closer look. ‘Aged? Or is that ageist?

‘Distinguished looking,’ Mike retorted. ‘Men are like good wine. They improve with age. Women don’t.’

Paul shook his head. ‘She’s actually quite fit looking.’ He gave her a leisurely once over. ‘Nice arse.’

‘I suppose, if you like that sort of thing.’

‘That’s just it though.’ Paul noted her dress. Skirt, short and tight — very nice, but not red light. And she wasn’t exactly giving the creep in the car the come on. ‘Doesn’t look the sort, does she? Doesn’t seem very…’ he tried to put his finger on it ‘…streetwise. Know what I mean?’

‘Uh, oh, the man is actually fancying some tom on the prowl. You are not getting enough, mate. If you need to get laid, I can put you in touch with a cracking little bird. Goes a bundle on uniforms. Not too fussed what’s in them either.’

‘Fun-ny. And I don’t. Thanks all the same.’ He didn’t, either, given his ineptitude at relationships. Wouldn’t mind trying this one on for size though, Paul mused.

Uh-uh. He pulled himself up. What was the matter with him? She charged for it. He looked her over again. He still wasn’t convinced somehow. She just didn’t fit the MO. ‘What d’y’think? Move her on, or go around again?’

Mike looked at him askew. ‘Give her a chance to shift her backside, you mean?’

‘She hasn’t actually propositioned the guy yet, Mike, has she?’

‘She’s on the pull, mate,’ Mike scoffed. ‘I’d bet my pension on it. Go on, go round again. Ten-to-one she’ll be quoting her price list when we get back.’

Paul supposed he was right.

Still thought she was a bit upmarket for a street corner, though.

****

‘Leanne, for the last time, will you get in the car?’ Richard eyed the passing patrol car worriedly. ‘Please,’ he added, as she gave him a look that could curdle milk. ‘I’ll drive you home and we’ll talk about… things.’

What things, Lee wondered. The colour scheme she was considering for the bedroom? Her miserable day? Her even more miserable future?

Alone.

On her own, without he who fancied himself as Ashley Cole, a total babe magnet. More like Mr Big from SACT… Lee wished she’d pointed out his expanding midriff, breezing into town to bonk her, then blowing out again. But he wasn’t Mr Big, was he? She might have had some post-coital chocolates if he was. And she wasn’t Cheryl Cole or Carrie Bradshaw. She had absolutely no panache and precious little oomph. If she had, she’d kick his arse with her Jimmy Choo shoes and exude confidence, instead of trying to look invisible on a seedy street corner.

Lee couldn’t believe she’d invested in him, heart, soul… and money. She swallowed back a fresh crop of tears that threatened to spill over, recalling how he’d convinced her, tears brimming in his own lying eyes that the Inland Revenue were about to drag him off in shackles.

She should have let them. She should have been thinking about her own needs, not his. Her son’s needs. His imminent university fees…

She’d been a fool. What on earth had possessed her to think her life was incomplete without a man. Without him?!

‘Leanne, come on.’ Richard sighed. ‘It’s late. You can’t hang around here on your own.’

Oh, but I can, she was about to say, but didn’t. It would be more than childish. It would be madness. She could be mugged or murdered, which would do her son no good at all. In the absence of the taxi, then, it was him or the street corner.

And he was the lesser of the two evils, she supposed. Marginally.

She pulled herself up to her full five-foot-three, and tugged her skirt down a bit. And when she got home, she’d show him the door, and tell him she’d post his shirts on in a jiffy bag, an extremely small jiffy bag.

‘Right, yer are, mate,’ she said, facetiousness full on as she wiggled to the car as tartly as she could in shoes not made for walking. ‘It’s fifty quid for full sex. Thirty for a hand job. No kissing. Cash-up-front and no cheques.’

Good God, her eyes boggled as Richard had the temerity to actually look shocked. Then boggled some more as a patrol car screeched up to spew policemen like something out of Ashes To Ashes.

One officer dashed around to invite Richard to step out of the vehicle and the other one advised Lee he was arresting her.

‘Excuse me?’ She laughed incredulously.

‘On suspicion of soliciting, madam,’ the officer informed her, stony-faced. ‘You do not have to say anything, but it may harm your defence if you do not mention anything which you later rely on in court…’

‘Soliciting?!’ Lee gawped at him. Had the whole world gone mad? ‘I am not!’ she assured him. ‘Do I look like a solicitor?’

‘Prostitute,’ the officer corrected her, his eyes full of insinuation.

And roving all over her, Lee noticed.

Unbelievable! She followed his gaze down and realised she absolutely did look like a tart. Her new white Wallis shirt was so wet it was showing her black bra beneath, nipples protruding embarrassingly therein, and the skirt was as miniscule as the officer’s brain. Lee glared at him and made a mental note. Avoid selecting attire according to man’s desire ever again. Mental note two. Avoid men.

‘Do you mind?’ She dragged the officer’s attention away from her too obvious bits.

His mouth twitched into a smile. ‘No.’

‘Moron,’ Lee muttered.

‘Anything you do say…’

‘Oh, don’t be ridiculous! He’s my boyfriend.’

‘Of course he is. And we always charge our boyfriends fifty pounds, do we, madam?’

‘No, we do…’ Good Lord, did he really think she was…

Lee’s heart sank. ‘I was joking,’ she uttered, bewildered. ‘We had an argument and I flounced out of the car and he…’

‘Yes,’ the officer said, with a heard-it-all-before shake of his head. ‘And the pigs are primed and ready to fly.’

‘Were you born stupid?’ Lee snapped, frustration and humiliation spilling over. ‘Or do you have to work at it?’

‘Not too hard, no,’ the officer replied, deadpan. ‘For future reference, you might like to note that insulting an officer of the law is a sure-fire way to get yourself up on a second charge.’

‘But I’m…’ Lee clamped her mouth shut as he produced his handcuffs.

Oh, the utter, total humiliation. This was never in her fantasy. The handcuffs and uniform, yes, but not the prison bit.

She glanced worriedly towards Richard… but Richard wasn’t there, where he had been. He was climbing back in his BMW. He was starting the engine. He wasn’t? He was.

‘I don’t believe this.’ Lee stared after him, devastated as Richard drove off without even a backward glance.

Finding footprints on the windscreen for her boyfriend’s car as evidence of his infidelity was worst case scenario for Lee. What would YOURS be?  What would you do about it?  Witty but NOT too rude suggestions, please.  One name will be randomly selected from the blogs taking part to receive a copy of Warrant for Love.

Warrant for Love - coverFind out more about Sheryl:

Sheryl’s Website

Safkhet Publishing

Amazon.co.uk

Amazon.com

Author Facebook     

Romantic Novelists’ Association

Sheryl is a loveahappyending featured Author and Editor.

Twitter: @sherylbrowne

Mediumship And 2012 – What’s It All About


November 29 saw my third interview with Michael Walters of Transformance International.  We discussed my work as a medium and what I really think about it.  Plus we give you our take on the whole 2012 thing.  We managed to overcome some technical difficulties and completed our discussion before the gremlins resurfaced again at the end.  To download the interview just click on the link below.  If you would like links to previous discussions please get in touch via the contact box on the Home Page.

http://cl.ly/2c0E3T113z0A

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Inspiration For Breakfast – Official Launch & Free Giveaway


Today sees the official launch of my book Inspiration For Breakfast and to celebrate I am offering FREE downloads of Angelic Wisdom Trilogy from Amazon Kindle.  The free promo runs from 00:01 on Monday November 26 to Midnight November 27 Pacific Standard Time.  Links for both books can be found below.

Quite simply a beautiful compilation of motivational, inspirational and spiritual quotes. No story line, no characters and no chance of disappointment once you get to the end. Just pure inspiration!

Buy Now https://www.createspace.com/3957136

 

 

 

 

 

 

 

 

 

 

 

 

To download FREE in Amazon.com

http://www.amazon.com/Angelic-Wisdom-Trilogy-ebook/dp/B005D5IXSI/ref=sr_1_2?s=books&ie=UTF8&qid=1322009135&sr=1-2

To download FREE in Amazon.co.uk

http://www.amazon.co.uk/Angelic-Wisdom-Trilogy-ebook/dp/B005D5IXSI/ref=sr_1_3?s=books&ie=UTF8&qid=1322008716&sr=1-3

A Head’s Up From The Rickster


I thought it was about time I got my fingers tapping on the keyboard again, even though it is just to say “hi”, I’m still here”.  I know I’ve been really quiet lately, but the shift has been taking its toll on me, and to be honest, I just haven’t had the enthusiasm to write.  Of course, a lack of enthusiasm to write is not very conducive to the productivity and creativity of one who writes.  So, here I am, just saying “hi”.  I would also like to say that the following of my blog is not something that I take lightly; in fact it’s a great honour for me to know that people around the world have taken the time and trouble to follow me.  It means a lot to a writer to know that people are inspired (and hopefully, at times, amused) by what they write, and I am no different.  So, there it is, I’ve said “hi” and now I’m off again.  But before I go, I couldn’t write to you and not leave you with something inspirational.  I’ve selected a passage from “A Course In Miracles” Teachers Manual, and I hope you like it.  See you soon!

Richard

Strictly speaking, words play no part at all in healing. The motivating factor is prayer, or asking. What you ask for you receive. But this refers to the prayer of the heart, not to the words you use in praying. Sometimes the words and the prayer are contradictory; sometimes they agree. It does not matter. God does not understand words, for they were made by separated minds to keep them in the illusion of separation. Words can be helpful, particularly for the beginner, in helping concentration and facilitating the exclusion, or at least the control, of extraneous thoughts. Let us not forget, however, that words are but symbols of symbols. They are thus twice removed from reality.

A bit of additional information for you:  My book Inspiration For Breakfast officially launches on 26 November.  To mark the occasion I am giving away FREE, for two days only, copies of Angelic Wisdom Trilogy on Amazon Kindle, so watch this space for the  official announcement with further details.